This series approaches womanhood through movement rather than form. Using yarn, thread, wire, and chain, the suspended works suggest bodies in transition of stretching, pausing, resisting, and adapting. Soft fibers evoke intimacy and memory, while metal introduces tension and restraint, creating a balance between vulnerability and strength.

The sculptures resist fixed structure, embracing imbalance and incompletion as reflections of lived bodily experience. Movement is quiet and internal, unfolding over time rather than space. These works function not as representations of the female body, but as traces of motion as ongoing, embodied, and unresolved.